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	<title>Hamburgevons - Revision history</title>
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		<updated>2024-05-31T19:50:04Z</updated>

		<summary type="html">&lt;p&gt;1 revision imported&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{short description|Text used as a sample for assessing fonts}}&lt;br /&gt;
{{Use dmy dates|date=March 2019}}&lt;br /&gt;
[[File:Hamburgevons.svg|thumb|&amp;#039;Hamburgevons&amp;#039; rendered using seven fonts: [[Helvetica Neue]], [[Semplicità]], Ernestine, Gimlet, Marcia, [[Adobe Caslon]] and Garibaldi]]&lt;br /&gt;
The word &amp;#039;&amp;#039;&amp;#039;Hamburgevons&amp;#039;&amp;#039;&amp;#039; (or &amp;#039;&amp;#039;&amp;#039;Hamburgefonstiv&amp;#039;&amp;#039;&amp;#039; or &amp;#039;&amp;#039;&amp;#039;Hamburgefons&amp;#039;&amp;#039;&amp;#039;) is a short piece of meaningless [[filler text]] used for assessing the design and the appearance of a [[typeface]].&amp;lt;ref&amp;gt;{{cite book|title=Der Druckspiegel|url=https://books.google.com/books?id=UFAwAQAAIAAJ|series=5–8|volume=27|year=1972|publisher=Druckspiegel-Fachzeitschriften-Verlags-GmbH|language=de|pages=256–|quote=Das untenstehende Modellwort &amp;quot;Hamburgefons&amp;quot; zeigt von der Gill-Grotesk vier verschiedene Laufweiten.}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book|title=Gewerblicher Rechtsschutz und Urheberrecht|url=https://books.google.com/books?id=oCQxAQAAIAAJ|volume=84|year=1982|publisher=Verlag Chemie|language=de|pages=79–|quote=Nach den Erfahrungen der Fachkreise erfüllten diese Voraussetzungen beispielsweise die Buchstaben des Phantasieworts &amp;quot;Hambur-giensis&amp;quot; (neuerdings auch: „O Hamburgefonstiv&amp;quot;). Diesen Ausführungen hatten sich damals die Mitglieder des mit der Vorbereitung des Abkommens beauftragten Sachverständigenausschusses angeschlossen. }}&amp;lt;/ref&amp;gt; It contains all essential forms in a Latin alphabet, so that the character of the respective font can be recognized quickly.&amp;lt;ref&amp;gt;{{Cite web|url=https://www.fonts.com/content/learning/fontology/glossary/k|title=Glossary K: key words|website=Fonts.com|access-date=10 February 2019}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;Machin2014&amp;quot; /&amp;gt; It consists of the letters that are often first designed when [[Type design|designing a typeface]].&amp;lt;ref name=&amp;quot;Machin2014&amp;quot;&amp;gt;{{cite book|author=David Machin|title=Visual Communication|url=https://books.google.com/books?id=WFXnBQAAQBAJ&amp;amp;pg=PA219|date=30 April 2014|publisher=De Gruyter Mouton|isbn=978-3-11-025549-2|pages=219–}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The word is useful for [[typographers]] and designers during the design of a font, as the form of its letters include all of the curves and abutments normally found in a font.&amp;lt;ref name=&amp;quot;Garfield2011&amp;quot;&amp;gt;{{cite book|author=Simon Garfield|title=Just My Type: A Book About Fonts|url=https://books.google.com/books?id=XQ7mZbRs0j0C&amp;amp;pg=PT317|date=1 September 2011|publisher=Penguin Publishing Group|isbn=978-1-101-57781-3|pages=317–}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;AshfordOdam1996&amp;quot;&amp;gt;{{cite book|author1=Janet Ashford|author2=John Odam|title=Start with a Scan: A Guide to Transforming Scanned Photos and Objects Into High Quality Art|url=https://books.google.com/books?id=P7oQAQAAMAAJ|date=January 1996|publisher=Peachpit Press|isbn=978-0-201-88456-2}}&amp;lt;/ref&amp;gt; As a test word, it is useful for determining the visual readability of a font chosen for a layout.&amp;lt;ref name=&amp;quot;HellerMeggs2001&amp;quot;&amp;gt;{{cite book|author1=Steven Heller|author2=Philip B. Meggs|title=Texts on Type: Critical Writings on Typography|url=https://books.google.com/books?id=CDdUAAAAMAAJ|year=2001|publisher=Allworth Press|isbn=978-1-58115-082-7}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;Byers1991&amp;quot;&amp;gt;{{cite book|author=Steve Byers|title=The electronic type catalog|url=https://books.google.com/books?id=rztUAAAAMAAJ|year=1991|publisher=Bantam Books|isbn=978-0-553-35446-1}}&amp;lt;/ref&amp;gt; A version of it is often used as a standard word in the visual layout of fonts submitted to competitions and exhibitions.&amp;lt;ref&amp;gt;{{cite book|title=International exhibition of illustration and editorial art|url=https://books.google.com/books?id=zCQkAAAAMAAJ|year=1988|publisher=Moravská galerie v Brně}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book|title=Metropolis|url=https://books.google.com/books?id=ChQMAQAAMAAJ|year=1988|publisher=Bellerophon Publications}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;Strizver2014&amp;quot;&amp;gt;{{cite book|author=Ilene Strizver|title=Type Rules: The Designer&amp;#039;s Guide to Professional Typography|url=https://books.google.com/books?id=xurOAgAAQBAJ&amp;amp;pg=PT455|date=4 February 2014|publisher=Wiley|isbn=978-1-118-75866-3|pages=455–}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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== See also ==&lt;br /&gt;
* {{section link|Typeface|Texts used to demonstrate typefaces}}&lt;br /&gt;
&lt;br /&gt;
== Bibliography ==&lt;br /&gt;
Jérôme Peignot, L’Alphabet des lettres, ou le petit hamburgefons, Paris, Imprimerie nationale, 1995, 128 p. ({{ISBN|978-2940028085}}).&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
{{Standard test item}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Typography]]&lt;/div&gt;</summary>
		<author><name>Djehuti</name></author>
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